Tag Archives: Pop music

Women, Ageing, Popular Music, and Madonna – a guest post from Abigail Gardner

Abigail GardnerIn celebration of International Women’s Day, we are taking the time to acknowledge the women who ‘made it happen’ in music. Dr. Abigail Gardner, co-editor of ‘Rock On’: Women, Ageing and Popular Music, responds to the current media debate circulating Madonna and her significance in today’s music industry…

The Queen is dead. Long live the Queen

It’s odd because Britain usually loves an old Queen. But Madonna, ‘Her Madgesty’, the ‘pop empress’ herself has been spurned by Britain’s Public Service broadcaster, the BBC. Its premiere youth station; Radio 1 has banned her latest single ‘Living for Love’ from its playlist on the grounds that it is irrelevant; it just doesn’t reach out to the 15—29 year olds that constitute its audience. They also say it’s not that good, citing ‘musical merit’ as their defense for ditching it. It has though, been played on BBC Radio 2, home to those over 35. Meanwhile, in pop and dance charts across Europe and Japan, the single has charted, coming in at No.12 in Hungary. But the BBC seems to have fallen out of love with this particular Rock Royal.

And so the social media storm erupts. On Facebook and Twitter, fans from all over the world rage against the ageism of the BBC, claiming her as icon and innovator. Madonna detractors call her tired and past her sell by date, irrelevant now. But in moving Madonna away from the Radio 1 playlist, the BBC has inadvertently highlighted exactly how relevant she is. Age matters now. It’s where feminism is focused and The Material Girl can’t help it but be caught up in this debate. The album, Rebel Heart has tracks like ’Unapologetic Bitch’, ‘Joan of Arc’, ‘Iconic’, ‘Holy Water’ and ‘S.E.X’ on it. Religion and sex, power and control remain part of her shtick. That these be housed within a 56-year-old body that refuses to fade gently into the night is what causes BBC brows to furrow. Emily Judd of The Independent (17/2/15) likens her Grammy performance to ‘a demented grandma at a school disco’, whilst noting that her ‘sculpted behind [means that] she’s fit enough to put on a spectacular show’ for the upcoming tour. Madonna is both a figure of embarrassment (the mad granny) and aspiration (the sculpted bottom). Her continuing relevance is that she confuses and upsets. Her presence within the pop arena, that space configured by and predominantly for, youth is problematic. But we don’t expect Keith Richards to stop being Keith Richards, Paul McCartney to disappear gracefully behind the mixing desk. So let’s not expect Madonna to be anything but Madonna and stop commenting on her old hands, her old arms, her old age. Let’s make that part of her irrelevant.

Rock On Women ageing and pop musicRead more about ‘Rock On’: Women, Ageing and Popular Music, including reviews and excerpts on the Ashgate Website. Details of more titles focusing on women and gender in music can be found on our Women and Gender in Music page.

Matthew Reisz writes in the Times Higher about “Rock On: Women, Ageing and Popular Music”

The piece is entitled “This is not the end, my friends”…

Different strategies for dealing with ageing adopted by performers such as Courtney Love, Celia Cruz, Madonna and “mothers who rock”, are explored in a new collection edited by academics from the University of Gloucestershire.

‘Rock On’: Women, Ageing and Popular Music was put together by Ros Jennings, reader in cultural studies, and Abigail Gardner, subject group leader for media courses, who also contributed chapters on, respectively, Shirley Bassey and Petula Clark, and the “shock and awe” generated by the “ageless black body” of Grace Jones.

The editors describe themselves as women who are “getting on a bit” but “haven’t yet gravitated to the same deep love of Brahms as we have for pop … As ageing women, we are still buying new music and going to festivals (though now we take chairs).” Dr Gardner admitted that this could embarrass her children, but said her “students appreciate the fact I was there when Joy Division was around or that I saw Fela Kuti play at Glastonbury. I have a background of interests they can identify with.”

Read the full review on the Times Higher Ed website

 Further information about Rock On: Women, Ageing and Popular Music

Sgt. Pepper and the Beatles

The first concept album in the history of popular music, the soundtrack of the Summer of Love or ‘Hippy Symphony No. 1’: Sgt. Pepper’s Lonely Hearts Club Band is first and foremost the album that gave rise to ‘hopes of progress in pop music’ (The Times, 29 May 1967). Sgt. Pepper and the Beatles, edited by Olivier Julien, commemorates the fortieth anniversary of this masterpiece of British psychedelia by addressing issues that will help put the record in perspective. These issues include: reception by rock critics and musicians, the cover, lyrics, songwriting, formal unity, the influence of non-European music and art music, connections with psychedelia and, more generally, the sociocultural context of the 1960s, production, sound engineering and musicological significance. The contributors are world renowned for their work on the Beatles: they examine Sgt. Pepper from the angle of disciplines such as musicology, ethnomusicology, history, sociology, literature, social psychology and cultural theory.